Hope A 12/31/14 Hope A 12/31/14

More from the Desktop

The first datebook I ever made for myself was really just a tall journal with blank pages. Each page was a list. Once I ran out of room on one page, I would transfer the parts of the list that had yet to be completed and crossed off, and that still seemed important, and started again until I finished the next page. I did have a lot of deadlines, so it worked well. I like lists a lot. i subdivide lists into other lists. But the chance to reevaluate is important. To cut loose what is unnecessary, to re-prioritize. This might be what is so appealing about the idea of a new year. I know that January 1st is an arbitrary date to choose to start over, and check in, but it works for me, as I stay in a little more, have a little more slow time, and anyway my other favorite time to do this--my birthday--is nearly 6 months away from January 1st. So here are more things I saw this year that I wanted to share, other things people made that are inspiring and important and beautiful.

knotless knitting demo on handmade paper vessel by Tamaryn

zines procured from the new orleans book fair

Hope A 12/2/14 Hope A 12/2/14

Where You From?

With everything that has been going on in Ferguson and in cities all over the country, it has been hard to sit and write about zines and postcards. I've been watching the news, reading, and trying to find constructive things to say. And sometimes I've just been angry and sad. But the work to do in this country is ongoing and so while it becomes less in the forefront in my mind, I work to keep these struggles part of my every day conversation, while talking about the things I make too.

When I moved to Baton Rouge, LA six years ago, I was struck by how many people I met who were from Louisiana, from Baton Rouge and other smaller towns. I had been living in big cities most of my life, leaving my home state at 20 and even then, I had moved twice within that state. I become interested in the ideas about why people leave their home towns and why they stay. I wanted to explore the benefits of leaving a place when you've outgrown it and the benefit of staying rooted in one place. In 2 issues, I asked friends and acquaintances, many from Louisiana, to write about their experiences. This comprised the first 2 issues of Where you from?

Then 2 years ago I moved to Oakland after spending 6 months in Italy. I had a bunch of ideas to connect, from traveling with my sister in Sicily, talking with my grandmother about her parents home towns in Sicily, moving out west with my partner, who had lived in Baton Rouge his whole life. I thought I would have a new zine soon--I've sketched out a huge project in my head, with maps and letterpress printing and so the project is still just ideas. I got so stuck on that project that it's been years since I've made a new issue. So here it is.

I wanted to make a zine with the instant book form because it offers a great structure for telling two sides of a story. And it meant I could letterpress print some for fun while still digitally printing affordable copies. I chose to write about leaving places I've lived and returning.

It was harder than I realized to write these. When I was done, I slept for a week and they sat on my computer, waiting to be turned into files to become plastic plates to print. They are short, and the form thwarts my proclivity for run on sentences. But here it is: one sheet of paper, ten stories. Mostly about New Hampshire and New Orleans. One or two you may have heard before , maybe not. but now they are in print in a copy that fits in your pocket.

*****Did you want a copy? They are all available in my etsy store and if you live in the Bay Area, I'll be at the EBABZ this Saturday with a table full of stuff. And if you want to hear me read from it along with a bunch of other great zine writers including artnoose, come to the EBABZ reading this Thursday here. Phew.

Take care of each other ok?

Hope A 11/13/14 Hope A 11/13/14

Seashells by the Seashore

Between a new computer, which subsequently crashed, and a tendency to hold onto any scrap that might inform later, I found these photos om my desktop. About a year and a half ago, a friend drove us to Muir Beach for the day, for the first cold swim of the season. We discovered that the beach adjacent to the famous forest is packed, even on an overcast day in May. The trick is to hang out on the corner of the beach with nudists. No kids, no families, plenty of wet sand and rocks to explore. After a brief swim that was so cold I gasped, we walked up and down the beach. There is something appealing about many tiny things that make up something larger. I've been holding onto these photos waiting for the story, decided to share them without a story and, as I have been writing this, thought if what I might use them for. For now, enjoy.

Hope A 10/20/14 Hope A 10/20/14

paper makers and print makers unite!

detail of a tapestry at magnolia editions

The Friends of Dard Hunter and the American Printing History Association had their annual meeting as joint gathering this time. That means about 150 printers and handmade paper artists met in San Francisco to talk about the ways their crafts work with each other. As a letterpress printer who makes her own paper whenever she can, this was like a nerdy dream weekend for me.

First, I knew I would see former classmates from Louisiana, May Babcock and Megan Singleton. May is now based in Providence and curates the blog paperslurry, an incredible resource of paper making ideas, technical advice, interviews, profiles and process information. Megan was on her way home, in a pane-trip-out-of the-way sort of manner, after a residency at Great Sand Dunes National Park.

experiments with ink to resemble touche at magnolia editions

There was much to talk about and see, including a talk from Howard and Kathryn Clark, the retired dynamo of Twin Rocker Papers. They told stories about the history of Twin Rocker, and how they grew. I heard a panel about the different uses of handmade paper in artist's books, explored the Internet Archive, and saw an exhibition of work by members of APHA and the FDH.

Even if you don't know much about paper or print, you could see why getting all these artists and crafts people together for 4 days was exciting. My favorite stop was 8 blocks from my home in West Oakland--Magnolia Editions. They work with artists to create fine art reproductions based on the need of the arttist. Their work is incredible and varied--ceramic tiles of Chuck Close's work for the New York subways, box edition prints of Squeak Carnwath's paintings, tapestries and a 3D printer creating complicated watermarks.

By dinner on Saturday we were tired, and excited, full of ideas and a pocketful of business cards. Luckliy, I thought to bring examples of the Keep Writing Project and have some new penpals so I will be able to keep in touch with new friends.